Align tool is not aligning to center in premiere pro

I just had this problem and was not able to find the answer anywhere online before figuring it out myself, so here ya go.

Premiere pro is not aligning to center properly, making centered graphic elements (like my text here) look like the pic below when hitting the align tools to bring it to "center" horizontally and vertically.

All I did was start using the position settings under "FX Motion" instead of the align tools, and it cleared this weird bug.

Maybe this was a weird bug in Premiere. It certainly is not uncommon to have something weird happen to you when using this program, but I figured if I had this issue, I might be able to help someone out who has a similar one.

If you want more tutorial-style content like this, let me know! Thinking of doing more of it to help out the community where I can as I'm doing a lot of learning at the moment myself.

Thanks for reading,

Tom.

Read More
When is it time to hire people? From freelancer to bogged-down-lancer and how to get out of the hole

Someone once told me, "you need great partners in every business," but it's hard to let other people start working on things for your client when you started out as a freelancer and love doing all the things you do (and are a bit of a control freak).

But it's something I am starting to feel is necessary as time goes on. I have a kid now, and that's a real wake up call. It is something that showed me I need to be able to source more of my work to a good team of reliable creatives. It's not just to free up your time. That's great, but what happens if you get injured or otherwise can't get out there to shoot or can't spend the same time on the computer? Everything stops? No.

When is it time to start expanding the team? It's a hard thing to figure out. When are you comfortable enough to take a step back financially in order to take a way bigger leap forward, being able to take more work than ever before when you have a great team behind you? That's something you have to answer on your own based on a ton of different variables. That's what makes it such a tough nut to crack.

Who do you know?

Everyone says it now: "it's impossible to find good people." I don't think that's really the case. I know a ton of good people. What is really stopping me from taking the leap? Financial security getting less secure while I start paying more people for the work I can't handle, that's what. That's why I'm here in the process of journaling through my blog and figuring it out.

Chances are if you're in the creative scene in your city, a few people come to mind that can help you. They definitely do for me.

I'm making a commitment here and now to start sourcing more work for good people and letting myself and my clients and reap the long-term benefits of a team of me with incredible bandwidth.

Guess this is another one of those blogs I'll have to check back in later to solve for you with the way it worked out for me. But know that you're not alone if you are feeling the same way - overwhelmed...

Read More
In The Stu: Ep. 2: How does a baby change the workflow?

How does having a baby enter the workflow? We're about to find out. My son is going to be born this week and I'm going to be journaling as it pertains to the business, edits that have to be made, hires, delegating, sleep schedule, and whatever else may come.

Update: It's been a couple of weeks now, and I gotta say, doing this without a partner would be a real challenge. Shout out to my wife for holding down the fort while im out shooting, doing my editing work, graphic design, web design, or whatever else it might be.

It's alot, and the first few months are hectic with a baby. It's alot of adjustment. The good thing, though, is that it's generally been good adjustments. Less wasted time and using the time I do have to really focus on what is the best use of that time. Gone are the days of that all-over-the-place type of schedule working out. But i feel this is what people need to really bring them to the next level, show them they need more than just themselves, and really bring their career to the next level.

I'm excited for what's to come, and will be trying to blog about it it and get this blog active throughout the process.

Tom.

Read More
What should you charge for your photography?

I get this question all the time. Relatively new photographers or existing photographers who are new to a particular type of photography (like weddings) ask what they should charge for a wedding, for an engagement shoot, etc.

For those looking for a quick answer on what I think, scroll down to the bottom of the post, but for the best results, read everything I have to say on the topic!!

Though I do always help the younger shooters when I can, it's hard for me to give a straight answer to that. It is probably a bit frustrating when I tell people they have to put the value on themselves, and it's not something someone else can assign to them, but it's the truth. It's useless to tell you what I charge for a day in any vertical because every photographer and every artist, in general, is different. Not saying I'm better or worse than anyone, just different.

Going to keep this short and to the point, but I have a lot to say on this topic since it's one that so many people are asking about and probably Googling all the time like I was in the beginning before I started to grasp my value and what I want to make me happy.

*side note: we're using photography and photographers as the topic and terms here, but this works for videographers and many other artists who wonder how to price themselves.

How to assign yourself the value and know what to charge as a photographer

You're different from every other photographer. You might be there at the same moment, in the exact location, shooting from the same spot with the same kit, but you'll get a different photo from the next guy, right? You probably think yours is better, maybe you don't. That's the starting point to understanding your value, but the art itself, believe it or not, is only part of the value of a photographer.

Think about it hourly.

My best advice to anyone who asks how much they should be charging as a professional content creator is to think about their time hourly. There's a reason that most full-time, "normal" jobs will pay you this way. It's just the easiest way to think about it.

Why do some wedding photographers get paid ten thousand for the day and some get paid five hundred?

There is a complex formula that is a lot more than just the art. You might know a wedding photographer who is doing extremely well financially and whose work you feel is just ok - it's not bad, but it's not anything extraordinary.

That usually means you're capable of doing the same work, so why are you not commanding the same rate?

Let's say that person is a wedding photographer. Are you a wedding photographer or a general photographer who does weddings also? Usually, those people you see at the top of their given vertical of photographer, whether headshots, weddings, or anything else, are leaning 100% into that vertical. When you look at their Instagram, website, or whatever, that's all you see. That's all they do. Or at least, that's all that brand of theirs does.

Not every photographer wants to box themselves into one form of photography because they like doing them all. There's nothing wrong with that at all, but you need to break off into different brands which all have unique identities if you want to appear to be laser-focused, which generally is what clients want to see. Start a wedding brand, an event brand, a studio photo brand, etc. If you know what you're doing with Photoshop a little bit, you can easily make yourself a little logo for each and put up a web-based portfolio for each.

Who knows you? Do you have a fan base? A client base?

The quality of your art will not bring people to knock on your studio door. A lot of local photographers have been doing their thing locally for a long time by the time you get into the game. That's the nature of business, and their clients are loyal to them. That's the way it should be.

Their price is often a function of their business, which has been increasing slowly over time since they started doing their art professionally. That's why, alot of times, even though you might not think their work is amazing to you, they are busy and have a ton of people working with them. The clients are never going to notice quite as much of the "flaws" with another person's photos or videos. They like that person because they are consistent, reliable, and quick on the edits. That is rarer than you might think. You need to focus on those things if you're a great artist and you don't feel like you're busy enough. Being unorganized tends to be a downfall of many great artists, which limits their business potential. Get someone on your team who can help you organize yourself if you don't feel like you can be organized yourself. Most of us can't. It's the whole "left brain right brain," thing, and it happens to be true, at least for me.

How to know when you haven't charged enough

That's one of the few questions here that is easy for me to answer for you.

Are you ever working on a project that you just aren't feeling at all, even though by ever metric its what you've always wanted to be working on? That's usually a big red flag to tell you that you aren't charging enough. you feel that to be dealing with what you're dealing with on that particular project, the money wasn't worth the time you're spending. If you want my advice, suffer through and get it done to the best of your ability, hand off something to them that they love, and raise your prices for the next person. It's honestly not a bad problem to have if this is where you're at.

So, what should you charge?

You should charge what you're worth, and you have to figure that out for yourself, sorry! That's part of becoming a great artist is learning your value. You'll thank me later when you're forced to think about it yourself and you start to know your own worth.

I was the same way, asking everyone what they're charging. It can help you get some market data, but it's not a fool proof way of pricing yourself and your work. That's like asking someone what settings they're using in their camera - it rarely helps you actually compose a better photo and it kinda makes everyone who overhears it think you're an amateur.

Just so I can give you an answer that you came here looking for

If you're just starting out, do work for free! If there's a local store that you'd love to shoot some content for, buy something there and then talk to the owner. It's rare, in my experience, that they're not willing to do a free shoot to help get them new content and to help you get some of your own work out there in your locale. That's pretty much what I did with Richmond Hood Co in Staten Island when I was just starting out, and it led to what is still some of my favorite photos to this day that I've taken and some great experiences.

If you want to know a bit more about how I wold calculate what to charge for a day rate, half day, and so on...

When you're just starting out, a day rate of 400 and a half day rate of 250 is usually a pretty sweet spot for clients who are local, looking to hire you for an event, and so-on. That's just my experience and roughly what I was charging when I was just starting out and not working for free.

When you get super busy at those rates or you start to feel like you're unhappy because you're not paying yourself enough, then just up your prices slow and steady until you get to where you feel better and more comfortable. There is no limit to how far you can go and how much you can charge once you're in demand. The sweet spot will make itself apparent to you the more you deal with people, price jobs, and come down here and there to make it work. There are enough clients out there for every photo and video person who wants to work doing content. Never be afraid to start high and see what happens! You can always come down in price if it seems to not be working.

As time goes on, an easy way to figure out what you should charge for content captures like photos and video is to think of it hourly. There is a reason many employers do it this way. If you want to make 50 dollars an hour, for example, you know that an 8-hour shoot should be roughly $400. As time goes on, raise your price.

In summary, you can do it! Pricing is not that hard. I can tell you what I charge, what you should charge, etc, but the best way to get more comfortable with pricing, in my opinion, is to make all the mistakes yourself and learn your value slowly over time. That is the way, to me, that it stays the most solid in your mind. If your price is lower than someone is willing to offer you to work for a day, congrats, the higher price is your new price!

I hope that this has helped someone out there learn to price themselves better. It's one of the hardest parts of doing business, but when you get that invoice paid, it's all worth it!

-Tom.

Read More
Why I think the Herman Miller Aeron is the best office chair.

My wife happens to have hooked me up over the years with several of the "best" chairs on the market in terms of office chairs. I have currently in rotation a Herman Miller Aeron Chair as well as a Herman Miller Embody Chair and a Knoll chair with this bendy back. Not sure what the Knoll is called specifically but it doesn't really matter for the purposes of this little blog post.

Anyway...

I have 2 desk setups in the current studio and one in the 2nd studio. I rotate between the 2 Herman Miller chairs in the main and thought there was pretty much no difference. I was wrong.

My body had been hurting over the past week or so and i've been doing stretching and all kinds of other activities and what I call "free style yoga," to relieve the pain. Nothing was working. Then i thought, what has been different about my routine that my lower back would be killing me.

I have been sitting mainly in the Embody chair...

Granted, I sit at the computer daily more than most people, I'm sure. I regularly log 12-hour days (with standing breaks) in order to get everything done on a daily basis as i try to grow Tomde Studio, expand the team, bring in bigger clients, etc. I have no problem doing this, but I do need to be comfortable while doing it!!!

Anyway, if you're looking to pick any office chair in the world, pick the Herman Miller Aeron. It has supreme ergonomics and cradles your butt in a way that is honestly hard to explain. It's kind of like a trampoline or a suspension bridge.

You can get them from third parties for a reasonable price and I can assure you that your lower back will thank you. Hopefully this helps someone else who is dealing with lower back pains from their desk job like i was. The Aeron is straight magic, and i can attest to the fact that all Herman Millers are not created equal. There's a reason the Herman Miller is a legendary chair.

Nothing against Herman Miller at all. I respect and hold Herman Miller himself in high regard as a designer and as a brand. There are only a few brands out there designing office furniture that is truly notable from a design and ergonomics standpoint, and they're up there at the top, in my humble opinion.

Read More
Why blog? An ongoing experiment into the effects of blogging.

We tell every client to blog. "It's good to do," we say. But is it worth what you're spending on it as a business owner who doesn't want to do it themselves is the question? Not necessarily, depending on your budget.

I (Tom) have seen with my own eyes the effects of blogging in a good way for all of my clients. I can honestly say that there is not a single site that we manage that does not see a positive effect from adding content on a regular basis and doing blogging, as seldom as once a month.

You never know when that one topic that popped into your head on a whim is going to take off and go viral online, drawing hundreds or thousands of new users through your "door," to convert in whatever ways possible.

But how well does it do? Well,, this will be our ongoing test and updated post every time we check back in with new results into just what blogging has done for the traffic for tomdestudio.com.

We want to keep ourselves honest, share with the community what the effects of our work are doing on our own site, prove to everyone it works, and keep ourselves motivated to actually blog for ourselves on a regular basis, which gets hard to do when things get busy.

When we mess up, it'll show in the data, when we stick to what we're preaching, that'll hopefully show up, too.

This is an easy way for us to make sure we keep updating it, keep it somewhere where everyone has access to (our own WordPress) for updating, and keep us honest on the success of our blog when we go ahead and tell a client that it's a "net positive."

Let's put our money where our mouth is and make a pact to blog at least once a week for the next two years and see what that does to our traffic. Then, we'll use analytics to tell us which blogs work, which didn't, and what other things around our site that we'll also be updating had the most significant effect on our traffic and conversions.

We can't say that this experiment works the same way for every client. Our content is... about making content, after all, which happens to be one of the most competitive fields to try and gain some traction in.

We'll be using real human (not AI) writers throughout this whole experiment. We want you to see that we practice what we preach, and we hope you hold us to it

Our Benchmark

What is a benchmark? It is a collection of data that helps us "mark" where we are at in the beginning or throughout any point in a project.

Here are our analytics stats as of the date of August 24, 2022.

There it is, our brutally honest analytics screenshots of just how our site is doing on traffic. This will act as a benchmark for this post, which we will continue to update as time goes on, each time we check our stats. Probably about once a month or so.

Why are we posting our internal data online?

To keep ourselves honest and keep ourselves determined to make this data look good.

We will come here, treat ourselves like a client, and try to explain exactly what happened throughout the month, whether it worked or didn't, and what we are going to do as time goes on to fix that and make it work. We aren't sure if this has been done before; we'd assume it has. We don't keep close tabs on our competitors and the wider market at large because we like to keep it locked in on ourselves most of the time.

Come with us on this journey by subscribing to this post.

We hope this experiment into the effects of blogging and otherwise updating pages and content on-site provides insight to us, you, and to everyone else interested in getting their site's wheels up, figuratively speaking.

Until next time,

Read More
In The Stu: Intro

Tomde Studio is happy to announce In The Stu; a chronicle about whatever we feel like creating content about for our friends and followers and a peek into the day-to-day stuff that goes on at a creative agency; working for clients, making breakthroughs, fighting through the hard times, learning new things, struggling with them, and anything else we can think of that we feel you guys and girls will find value in. These are all just examples of what gems you might find subscribing to the blog and coming along with us as we experience all of these things together.

Incase you didn't know, Tomde Studio is a collective of northeastern content creators, web designers, illustrators, photographers, cinematographers, editors, and anything else you can imagine. Pretty sure there are a few people around here who just love weeding vinyl. No joke. So if that's the kinda stuff you're into, you stumbled into the right place.

We hope not just to be writing, but to start with some tutorials for youtube, general content, streams of simple stuff like pen tooling, and more. Of course, we're also very open to our fans letting us know exactly what they would like to see next and we encourage you all to engage with our content, learn from it, make fun of it, or do whaetever else is going to make you happy! We are a collective of hustlers from all over the East Coast and are growing day-by-day.

We want to create a fanbase of followers who are just like us; those who cannot abide by a 9-5 and would prefer that 24/7/365 kinda hustle doing something that they love and can be proud of.

We must lead by example, showing everyone just how important it is and how successful you can be doing great content for yourself or a client.

We're in the process of designing out the blog page, so depending on when you read this post, you may have a bit of a hard time. The website is brand new and a work in progress!

We decided to scrap our old blog to start fresh, brand new, and try to keep things organized.

So cheers to you for reading this, and this one goes to starting up a new blog, sticking to posting regularly like we do for clients, and hopefully, imparting a bit of our wisdom our friends along the way.

We are grateful for everything we've been able to achieve so far, and plan to continue on the path!! Please follow along and subscribe if you'd like to come along with us on this journey.

Peace.

Read More
crossmenu